一切都由一枚150吨的陨石引发。陨石砸中了男主人公亨利家对面楼的天线，幸运的是他毫发无损。但此事过后，他的世界刚好与现实世界偏离了水平91cm。无论开门关窗洗澡接电话，这些日常细琐杂事就都成了负担。他在家里度量好了精确的91cm误差，可还是在工作中麻烦不断。因此他去接受心理治疗，非但毫无进展，反而在回忆事故发生过后，又多出了75cm的垂直距离。亨利不断向自己发问：“多一点，少一点，我偏离了自己多少厘米又有什么意义呢？”于是他变得越来越自闭，越来越孤独。这与世界之间的91cm距离，他到底能否穿越和克服，最终回归正常生活…… 　　本片荣获第61届戛纳电影节(2008)柯达短片电影奖。

萨曼莎和艾伦要结婚了，但威廉·哈斯金斯并不高兴。他抓住一辆开往伦敦的火车，开始尾随萨曼塔，因为她想要继续婚姻生活。哈斯金斯试图恐吓她，把她逼到绝望的地步，但她很难让任何人相信她被跟踪了。就连她的精神科医生也不把她的担心当成神经症的一部分。当身体开始出现时，萨曼莎的故事变得更加可信，而她过去的黑暗秘密也开始显露出来。

萨曼莎和艾伦要结婚了，但威廉·哈斯金斯并不高兴。他抓住一辆开往伦敦的火车，开始尾随萨曼塔，因为她想要继续婚姻生活。哈斯金斯试图恐吓她，把她逼到绝望的地步，但她很难让任何人相信她被跟踪了。就连她的精神科医生也不把她的担心当成神经症的一部分。当身体开始出现时，萨曼莎的故事变得更加可信，而她过去的黑暗秘密也开始显露出来。

Ron Atkins gives us the first of two movies featuring Las Vegas psycho, Harry Russo (John Giancaspro), driven to commit a series of atrocities by hidden voices from Rubberneck, a ventriloquist doll given to him by his girlfriend Drew (Jasmin Putnam). 　　The film balances outrageous humour and gross-out scenes of violence as we follow Harry on a cocaine fuelled rape/murder spree. First, we get the obligatory shower scene in which a sexy hooker soaps her breasts, backside, and rubs herself before retiring, starkers, to the bedroom, for a bit of naughty phone sex. We get point of view shot from Harry as he enters, and throttles her before indulging in his favourite pastime; Necrophilia. 　　Next he kills a hooker, after she's given him a blowjob, stabs his shrink, kills Drew, and assorted lowlifes, as he snorts what must be over a grand’s worth of Charlie, and taking resorts to wearing ridiculous blonde wig, and lipstick, and prance about with his weaponry for all to see (Giancaspro ensures he has a quick fiddle before tackling these scenes to ensure it doesn’t look small on camera, as evidenced by a dwindling hard-on in some shots), utters non-stop expletives, tries a bit of disco dancing, chops off his finger, knocks a couple out, licks his hand clean, shoots up.... you get the picture! 　　The gore is pretty amateurish, but Giancaspro is great; this is certainly the guy to invite to the Mother-in-Law’s funeral. Despite some annoying camera effects, the film does deliver on the shock front, and has a fair bit of full-frontal for all tastes (or, rather for those who lack any).

The Misunderstood Epidemic: Depression is the newest documentary by filmmaker Susan Polis Schutz. It is an intimate look at how depression affects its victims and their families. 　　The film explores through firsthand accounts how depression can happen to anyone regardless of age, race, or socioeconomic background. One by one the topics are addressed in candid detail: symptoms; suicide; the stigma and lack of understanding; the stress in families and relationships; the loss of ability to work. The film also discusses the pros and cons of medication, different types of therapy, and support groups. It contains uplifting advice to families and friends of people who are depressed. It inspires hope for happiness and a path to get better.

孙子小宝病重，奶奶秦秀兰却拿着高档音响在广场跳广场舞，儿子和儿媳请求秦秀兰出钱救治，却被无情拒绝，所有人都骂秦秀兰冷血无情，直到最后真相揭露，大家才明白秦秀兰的委屈，也再次让秦秀兰重新获得应有的尊重。

纪录片“Miss Representation”纪录了一大批令人钦佩的、有影响力的女性的见解。它强调媒体对女性狭隘的、常带有轻蔑性的表述，不仅使得越来越多的年轻女孩陷入危机，如饮食失调症、自残、忧郁症等，还对另一个问题负有更大责任，即在美国所有有权力和影响力的职位中，女性的代表性极其不足。该电影还特别提到媒体向年轻女孩传达的令人失望的观念：一位女性的价值取决于她的青春、美貌和性感，不取决于她想当领导的意图或她的领导能力。

纪录片“Miss Representation”纪录了一大批令人钦佩的、有影响力的女性的见解。它强调媒体对女性狭隘的、常带有轻蔑性的表述，不仅使得越来越多的年轻女孩陷入危机，如饮食失调症、自残、忧郁症等，还对另一个问题负有更大责任，即在美国所有有权力和影响力的职位中，女性的代表性极其不足。该电影还特别提到媒体向年轻女孩传达的令人失望的观念：一位女性的价值取决于她的青春、美貌和性感，不取决于她想当领导的意图或她的领导能力。

2011年，碧姬·芭铎同意拍摄关于自己的纪录片。当导演第一次见到她时，她表示自己不会参与拍摄，但允许导演使用她的家庭资料、父亲所拍的录像片段、从她小时候一直到成为荧幕女神。她还允许任意拍摄她的生活场所：马德拉格和圣托贝的房屋，还有她的栖息之地。通过这些私密材料，导演勾勒出了碧姬不为人知的一面，构成一份爱的宣言。

18世纪初，在喀尔巴阡山脉东边的原始丛林腹地，古老而闭塞的村庄，妙龄少女在夜晚惨遭杀害。恶魔的气息弥漫森林四处，被诅咒的土地上，邪灵降临，为当地人带来最为恐怖的噩梦。与此同时，年轻孟浪的英国科学家和制图家乔纳森·格林（杰森·弗莱明 Jason Flemyng 饰）和富家小姐的恋情被对方父亲发觉，遭到怒骂和驱逐的乔纳森带着对女孩的眷恋踏上东去的旅途，期间他迷失了道路，稀里糊涂来到了那座被诅咒的村庄。他从当地人那里听说了关于撒旦、女巫的传说，但是这位牛顿的学生对超自然现象抱有深深的怀疑。 　　令人不敢相信的奇异旅程，改变命运的重要时刻……